#Sound Diffusion

Sub Low Frequency Control Some studios, especially Mastering rooms, need the highest level of low and sub-low frequency absorption available. The bass traps that handle these very low frequencies need to be large and deep to properly control them. Column bass traps can be stacked to create continuous coverage in areas where low-frequency energy builds up. This makes them especially useful in rooms where bass is strong, persistent, and difficult to manage with standard corner or wall-mounted traps alone. Although they are designed primarily for low and sub-low frequencies, column bass traps are broadband absorbers. They also absorb mid and high frequencies, which makes them a reliable, all-around option in rooms where accuracy matters, such as mastering studios and critical listening environments. Go to JOHN HUNTER ACOUSTICS DOT COM FRONT PAGE to schedule a 1-on-1 consultation. #acousticpanels #basstraps #mixingengineer #masteringengineer #musicproducer #proaudio

Music City Acoustics Owner/Founder rates MORE acoustic products from 1-10! #rating #acoustictreatment #roomacoustics #audioengineering #studiolife

Back of the Room Acoustic Treatment Progress update: We are nearly finished with this studio. The back of the room treatment is almost done, and once that's placed it's a wrap. This installation is Phase II of a 2-part acoustic treatment plan. In this install we are focusing on controlling low and sub-low frequencies in this studio by adding our 8" bass traps to the room. When low and sub-low frequencies aren’t managed, it’s hard to know where the bass is sitting in a mix. This is why you want accurate low-end control. When bass and sub-bass are absorbed properly, you’re hearing the audio accurately, without room exaggeration or cancellation. This studio was treated with 13 of our 4” and 8” Standard White and Standard Navy Ultacoustic All Broadband Bass Traps for echo reduction and sound balancing, including a custom 4’ x 6’ ceiling cloud. Go to JOHN HUNTER ACOUSTICS DOT COM FRONT PAGE to schedule a 1-on-1 consultation. #basstraps #acousticpanels #studioinspiration #recordingstudio #studiogear #mixingengineer

Why All Acoustic Treatment Is Not The Same All rooms are different in one way or another. Rooms have different shapes and sizes, ceiling heights, and different gear. So each room has it's own challenges for acoustic treatment. In some spaces it's not possible or practical to mount treatment on walls, or in other spaces there are size constraints where custom panels are needed. This is why we always like to start a project with a consultation first, so we can understand how you use your room and lay out a plan that works for you. This studio was treated with 5 of our 4” Dulce Linen and Dulce Black Ultacoustic All Broadband Bass Traps for echo reduction and sound balancing, with Custom Large Gobos on rollers for flexible treatment, and a Custom ceiling cloud. Go to JOHN HUNTER ACOUSTICS DOT COM front page to schedule a 1-on-1 Consultation. #basstraps #acousticpanels #recordingstudio #musicproducer #mixingengineer #soundpanels

Difference Between Bass Traps & Acoustic Panels Bass traps and acoustic panels do different jobs, even though people often mix them up. Bass traps deal with low frequencies. Low frequencies are large and powerful, and they tend to pile up in corners and along walls. To control them, the treatment has to be thick and placed where bass naturally builds up. That’s why bass traps are larger and usually go in corners or cover big areas. Acoustic panels deal with mid and high frequencies. These sounds reflect off walls and ceilings and cause echo and harshness. Panels are placed where sound first reflects and help clean up those reflections. Because these sounds are smaller, the panels don’t need to be as thick. So there you have the difference between bass traps and acoustic panels. Go to JOHN HUNTER ACOUSTICS DOT COM FRONT PAGE to schedule a 1-on-1 consultation. #basstraps #acousticpanels #studioinspiration #recordingstudio # #acoustictreatment #soundpanels

Ever notice those blocky panels on the back wall of a control room? 
A lot of people think they’re just design elements, but they’re actually diffusers. We use diffusers to control reflections without deadening the room. Instead of soaking up sound like absorbers, they break up the wavefront into lots of tiny reflections that arrive at slightly different times. That “smearing” softens early reflections, prevents standing waves, and gives the room a more open sense of space. In short: better frequency response, without killing the vibe. #AudioEngineering #RecordingStudio #StudioAcoustics #SoundDiffusers #MixingEngineer #MasteringEngineer #ProAudio #MusicianLife #StudioSession #MusicProductionTips

Acoustic Consultation Every room is different - different sizes and shapes, different uses, and different equipment. So you can't treat each room the same, because what works in one space won't necessarily work in another. We offer a consultation free with any purchase. We take a look at your space and how you use it, lay out a plan for treatment, and only quote you for the treatment you really need within your budget. To find out more about our consultation service, reach out here or go to JOHN HUNTER ACOUSTICS DOT COM FRONT PAGE to schedule a 1-on-1 consultation. #basstraps #acousticpanels #studioinspiration #recordingstudio #bestacousticpanels #soundpanels

What Problem Do 9" Bass Traps Solve? A 9" bass trap is used when sub-low frequencies are still causing issues in a studio, even after using thicker standard bass traps. This usually shows up when speakers don’t sound accurate in the low end, especially in larger rooms or rooms with powerful monitoring systems. Sub-low frequencies carry a lot of energy and take up a large amount of space. In some rooms, that energy isn’t fully absorbed by an 8" trap alone. A 9" bass trap adds more depth, allowing more of that sub-low energy to be absorbed before it builds up and interferes with what you’re hearing. These traps are used when precision in the lowest part of the frequency range is important, and when the room requires more low-end control than standard bass trapping can provide. Go to JOHN HUNTER ACOUSTICS DOT COM FRONT PAGE to schedule a 1-on-1 consultation. #basstraps #acousticpanels #studioinspiration #recordingstudio #mixingengineer #musicproducer

What Is A 4" Bass Trap For? A 4" bass trap is our most versatile thickness. It's used to control a wide range of sound in a room, including low, mid, and high frequencies. Because of that range, it’s one of the most commonly used thicknesses in studio treatment. Low-frequency sound carries more energy and takes up more space in a room. A 4" panel has enough depth to absorb that energy while still handling mid and high frequency reflections that affect clarity. Our 4" bass traps are built with soft sides, allowing them to absorb sound from all six sides, not just the front. That means they interact with sound moving through the room from multiple directions, which is especially important for low frequencies that don’t travel in straight lines. Go to JOHN HUNTER ACOUSTICS DOT COM FRONT PAGE to schedule a 1-on-1 consultation. #basstraps #acousticpanels #studioinspiration #recordingstudio #soundpanels #acoustictreatment

When Is Acoustic Treatment Done? A room isn’t finished just because panels are on the walls. Acoustic treatment is done when the room is controlled enough to support the work happening in it. That means reflections are under control, low-frequency buildup is managed, and the room no longer adds problems that interfere with recording or mixing. At that point, you’re hearing the room consistently and you’re not having to work around it while you’re working. Adding more treatment beyond that point doesn’t automatically improve the room. Once the core issues are handled, additional panels may not significantly change how the room functions. A room is done when it reaches the level of accuracy and control required for its purpose. That point looks different for every space, depending on how the room is used. This studio was treated with 13 of our 4” Dulce Spice Ultacoustic All Broadband Bass Traps and Acoustic Panels for echo reduction and sound balancing, with our Triangle Bass Traps for corners, Custom large rolling Gobos for flexible treatment, and a Custom ceiling cloud. Go to JOHN HUNTER ACOUSTICS DOT COM FRONT PAGE to schedule a 1-on-1 consultation. #basstraps #acousticpanels #studioinspiration #recordingstudio #proaudio #studiogear

What Is Our Consultation For? Do you have a space that could benefit from acoustic treatment? Is it a room where you record, mix, rehearse, or produce, but you’re unsure how the space itself is affecting what you hear? Or a church, office, or restaurant where echo and reverb are getting in the way of clear sound? We start with a consultation to understand your space before any treatment decisions are made. How large is the room? How is it used day to day? Where are the listening or recording positions? What issues are you noticing, and when do they show up? During the consultation, we take a close look at your space, ask questions to understand how it’s used, and listen carefully to the problems you’re running into. From there, we lay out a clear plan for treatment. That plan is always based on your space and your specific needs. We offer a wide range of custom options because no two spaces are the same. Go to JOHN HUNTER ACOUSTICS DOT COM FRONT PAGE to schedule a 1-on-1 consultation. #basstraps #acousticpanels #studioinspiration #recordingstudio #soundpanels #bestacoustictreatment

When Do You Need A Column Bass Trap? A column bass trap is used when a room needs the highest level of low and sub-low frequency absorption available. These traps are large and deep, allowing them to absorb very low frequencies that smaller bass traps may not fully control. Column bass traps can be stacked to create continuous coverage in areas where low-frequency energy builds up the most. This makes them especially useful in rooms where bass is strong, persistent, and difficult to manage with standard corner or wall-mounted traps alone. Although they are designed primarily for low and sub-low frequencies, column bass traps are broadband absorbers. They also absorb mid and high frequencies, which makes them a reliable, all-around option in rooms where accuracy matters, such as mastering studios and critical listening environments. Go to JOHN HUNTER ACOUSTICS DOT COM FRONT PAGE to schedule a 1-on-1 consultation. #basstraps #acousticpanels #studioinspiration #recordingstudio #mixingengineer #musicproducer #singersongwriter #songwriter #vocalist #homestudio #podcast #acoustictreatment #productionstudio #proaudio #studiogear #losangelesmusic